Lew had never seen a dead man before. He just stood there, and looked and looked. Then he went a step closer, and looked some more. 'So that's what it's like! ' he murmured inaudibly. Finally Lew reached out slowly and touched him on the face, and cringed as he met the clammy feel of it, pulled his hand back and whipped it down, as though to get something off it. The flesh was still warm and Lew knew suddenly he had no time alibi. He threw something over that face and that got rid of the awful feeling of being watched by something from the other world. After that Lew wasn't afraid to go near him; he just looked like a bundle of old clothes. The dead man was on his side, and Lew fiddled with the knife-hilt, trying to get it out. It was caught fast, so he let it alone after grabbing it with his fingers from a couple of different directions. Next he went through his pockets, thinking he'd be helping to identify him. The man was Luther Kemp, forty-two, and he lived on 79th Street. But none of that was really true any more, Lew thought, mystified; he'd left it all behind. His clothes and his home and his name and his body and the show he'd paid to see were here. But where the hell had he gone to, anyway? Again that weird feeling came over Lew momentarily, but he brushed it aside. It was just that one of the commonest things in life - death - was still strange to him. But after strangeness comes familiarity, after familiarity, contempt. ("Dusk To Dawn") . Cornell Woolrich
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More Quotes By Cornell Woolrich
  1. The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the...

  2. That was enough dialogue for a few pages - he had to get into some fast, red-hot action. There weren't any more hitches now. The story flowed like a torrent. The margin bell chimed almost staccato, the roller turned with almost piston-like continuity, the pages...

  3. Home? What is home? Home is where a house is that you come back to when the rainy season is about to begin, to wait until the next dry season comes around. Home is where your woman is, that you come back to in the...

  4. It was a brave city, she decided, eyeing them. Brave in its other sense; not courageous, so much as outstanding, commanding. It was too nice a town to die in. Though it had no honeysuckle vines and no balconies and no guitars, it was meant...

  5. Every life is a mystery. And every story of every life is a mystery. But it is not what happens that is the mystery. It is whether it has to happen no matter what, whether it is ordered and ordained, fixed and fated, or whether...

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